{"id":6294,"date":"2019-07-31T15:30:52","date_gmt":"2019-07-31T15:30:52","guid":{"rendered":"https:\/\/phifestival.com\/y-manessis\/"},"modified":"2024-06-26T14:22:03","modified_gmt":"2024-06-26T11:22:03","slug":"y-manessis","status":"publish","type":"page","link":"https:\/\/phifestival.com\/en\/y-manessis\/","title":{"rendered":"Y. MANESSIS"},"content":{"rendered":"

[vc_row][vc_column width=”5\/6″ css=”.vc_custom_1564498316717{padding-top: 0px !important;}”][vc_custom_heading text=”Yorgos Manessis<\/strong>” font_container=”tag:h2|text_align:left|color:%23dd3333″][vc_empty_space][vc_column_text]Pianist and piano pedagogue Yorgos Manessis was born on 26 May 1931 in Piraeus, Greece. While still a new-born, his parents, and especially his mother Ioanna Yapapa (a pianist and pupil of Emil von Sauer who had also studied Emile Dalcroze\u2019s method at his school in Switzerland) decided that their offspring should be raised in close contact with nature. Thus, the family moved to Manessis\u2019 father estate in Portoheli, in the region of Argolida (Pelopponisos). There he had the privilege of enjoying a quite unique upbringing, combining freedom and strict discipline (sleep, diet e.t.c.). Body [gymnastics, Dalcroze Eurhythmics (his mother playing at the piano while he danced), boating, horse riding, trekking, swimming] and mind (piano lessons, attending school e.t.c.) were equally attended and developed. It was an upbringing that \u2013 according to Manessis himself \u2013 laid the foundation for his later artistic endeavours.<\/span><\/p>\n

Pedagogical career<\/strong><\/span><\/p>\n

Director of the Piano Department of the University of Indianapolis – Athens Branch from February 1998, teaching piano and chamber music.<\/span><\/p>\n

Professor of Piano at the Piraeus Music Conservatory from 1977 to date (advanced soloists class).<\/span><\/p>\n

Professor of Piano at the Lamia Municipal Conservatory from 1987 to 2002. Responsible for the Post-Graduate Department there since 1995. Of special notice are Grigorios Zamparas, Marilina Tzelepi, Vassilis Theofilidis and others.<\/span><\/p>\n

Professor of Piano at the Sychrono Conservatory of Athens from 1998.<\/span><\/p>\n

Professor of Piano at the Ribaupierre Institute in Lausanne, Switzerland from 1973 to 1977.<\/span><\/p>\n

Assistant and later replacing Alice Pashkus in Vienna, New York, and Athens (1960\u20131972), responsible for the preparation of young, talented pianists for careers as soloists. Alice Pashkus was the Artistic Consultant of great artists such as Yehudi Menuhin, Charles Munch, Ivry Gitlis e.t.c.<\/span><\/p>\n

 <\/p>\n

Education<\/strong><\/span><\/p>\n

1951\u20131959: Munich, High State School of Music. Bachelor in Piano Studies (1956). Studied with: Walter Dorfmueller, Erick Then-Bergh (through whom he gets acquainted with the school of Leimer-Gieseking), Oscar Koebel, Maria Hindemith (with a scholarship of the West Germany Ministry of Education).<\/span><\/p>\n

1956\u20131959: Munich, High State School of Music, Diploma in Teaching Music.<\/span><\/p>\n

1954\u20131957: Took Musicology Courses at the University of Munich (audit). At the same period he also studied with Olga Karabai (student of H. Neuhaus) in Nuremberg where he became acquainted with the Russian School of Neuhaus.<\/span><\/p>\n

1947\u20131951: Studied music with his mother, Ioanna Yapapa-Manessi (student of Em. Sauer who was one of Liszt\u2019s apprentices). At the same period, also studied woith Alex Tourneissen (student of Busoni).<\/span><\/p>\n

1950\u20131951: Attended Economic University of Athens (2 semesters).<\/span><\/p>\n

1959\u20131962: Vienna and New York \u2013 Post-Graduate studies with Alice Pashkus.<\/span><\/p>\n

1962\u20131972: Continued with Al. Pashkus as his artistic consultant in his career as a pianist.<\/span><\/p>\n

1990\u20132015 Founder and Director of the Porto Heli International Festival of Art and Culture. Today, the Festival is in cooperation with internationally recognized organizations such as: Numerous concerts and seminars are held each year during the months of July and August.<\/span><\/p>\n

The Music Academy of Sofia<\/span><\/p>\n

The University of Indianapolis, Athens-USA<\/span><\/p>\n

The Ministry of Culture of the Democratic Republic of Russia<\/span><\/p>\n

Prominent German State Higher Education Schools<\/span><\/p>\n

1988-ongoing: Founder and president of the Cultural Society \u201cThe Art of Life\u201d which is responsible for the organization of the Porto Heli Festival,[1] and many cultural seminars in Piraeus, etc.<\/span><\/p>\n

1987\u20131997: Director of the Municipal Music Conservatory of Lamia.<\/span><\/p>\n

1971\u20131977: Founder and director of the \u201cHarmony\u201d Artistic Center in Lausanne which became a center of attraction for many well known artists from Europe, Asia and America, where immense musical performances and conference activities took place. Very favorable coverage in the local press, from artists like Francoise Pollet (soprano-Paris), Thomas Christian (violinist-Vienna), Renee de Mack (flautist-Brussels), Chantal Vargas (violinist-Amsterdam).<\/span><\/p>\n

 <\/p>\n

Professional memberships<\/strong><\/span><\/p>\n

November 2000: Founding member of the European Piano Teachers Association (EPTA), and General Secretary of.<\/span><\/p>\n

1980\u20132006: Founding member and President of the Syndicate Association of music teachers of the Piraeus Conservatory.<\/span><\/p>\n

 <\/p>\n

Professional meetings attended<\/strong><\/span><\/p>\n

April 8, 1998: he was invited as honored guest by the Russian Ministry of Culture to participate in the 2nd Forum for Professors of Music at the Neuhaus Festival and also to give a Masterclass at Moscow.<\/span><\/p>\n

 <\/p>\n

Papers presented<\/strong><\/span><\/p>\n

About Moderation: An essay on the way pianist Joao Carlos Martins conducts at the piano the work of J.S. Bach for clavichord. Presented in May 1997 by prof. Dr. Hristov, of the University of Sofia, to Martins himself.<\/span><\/p>\n

About Creativity: Presented at the 6th International Esoterical Congress in Berlin, in September 1973.<\/span><\/p>\n

Many papers on the following subjects:<\/span><\/p>\n

Interpretation and Way of Life<\/span><\/p>\n

What is new in the 21st Century. \u201cLiveliness\u201d with simplicity and enthusiasm.<\/span><\/p>\n

About the characteristics of Sound etc.<\/span><\/p>\n

How to learn a new composition.<\/span><\/p>\n

Interpretation (Aids for those who wish to explore higher ways of communication with the audience).<\/span><\/p>\n

Bases of Kinesiology.<\/span><\/p>\n

Levels of self-control.<\/span><\/p>\n

Concentration\/Meditation. \u201cIntermediation\u201d as a prerequisite of a \u201cgreat\u201d artist, and how to achieve it.<\/span><\/p>\n

Basic knowledge of Psychology. Typical characteristics of each age: 0-7, 7-14, 14-21, 21-28.<\/span><\/p>\n

Principles of the Pashkus method.<\/span><\/p>\n

Monophony, Polyphony and their symbolism.<\/span><\/p>\n

Basic rules of expression.<\/span><\/p>\n

Many other papers presented in various seminars and public lectures mentioned in the \u201cSeminars, Training Programs etc\u201d and \u201cRecognition and Honors\u2019 sections below.<\/span><\/p>\n

Other research activity<\/span><\/p>\n

1965\u20131985: Research in Music \u2013 Philosophy \u2013 Metaphysics and:<\/span><\/p>\n

The relationship between quality of life and musical performance.<\/span><\/p>\n

Sound and musical interpretation.<\/span><\/p>\n

1986-2016: Research with a group of artists and scientists.<\/span><\/p>\n

 <\/p>\n

Consulting<\/strong><\/span><\/p>\n

1972-2014: Musical Consultant of young artists.<\/span><\/p>\n

 <\/p>\n

Seminars, Training Programs e.t.c. Conducted for Business & Industry<\/strong><\/span><\/p>\n

Piano Master Classes & Speeches about interpretation, piano technique, etc.:<\/span><\/p>\n

April 7\u20139, 2000 at the University of Indianapolis (main campus).<\/span><\/p>\n

April 8\u201318 1998 in the 2nd Forum for Professors of Music at the Neuhaus Festival in Moscow.<\/span><\/p>\n

1990 up to present (each July\u2013August) at the Porto Heli International Festival of Arts and Culture.<\/span><\/p>\n

1980-ongoing in Piraeus during the school year.<\/span><\/p>\n

1987\u20131995 at the Lamia Municipal Conservatory during the school year.<\/span><\/p>\n

1972\u20131975 at the Institute de Ribeaupierre in Lausanne, Switzerland: a series of seminars each year.<\/span><\/p>\n

1972\u20131977 at the International Centre for Music \u201cHarmonia\u201d \u2013 Lake of Geneva, Switzerland. A 1-month seminar each July and a series of seminars each winter.<\/span><\/p>\n

 <\/p>\n

Professional Presentations, Speeches e.t.c.<\/strong><\/span><\/p>\n

An extensive concert career as a concert pianist in the sixties and seventies, with performances in Vienna, Paris, and Lausanne and widespread critical acclaim. In 1974, he introduced a new pattern to his recitals. At the end of the recital he addressed the audience and discussed subjects of general interest (in respect to music).<\/span><\/p>\n

 <\/p>\n

Recognitions & Honors<\/span><\/strong><\/p>\n

July 2007 \u2013 He is awarded by the Porto Heli Community for his cultural contribution in the 20 years of the Porto Heli Festival. Autumn 1999 \u2013 Lions International: Lions Greece, Award for his Multiple Achievements and Contribution to society.<\/span>[\/vc_column_text][vc_empty_space height=”60px”][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” gap=”25″ full_height=”yes” css_animation=”none” css=”.vc_custom_1564257916911{background-image: url(https:\/\/phifestival.com\/wp-content\/uploads\/2019\/07\/Scan20208.jpg?id=5860) !important;}”][vc_column css=”.vc_custom_1564257048375{padding-right: 300px !important;}”][vc_empty_space height=”60px”][\/vc_column][\/vc_row][vc_row][vc_column width=”5\/6″][vc_empty_space][vc_column_text]Critical Reviews<\/span><\/strong><\/p>\n

Strasbourg \u201cDernieres Nouvelles\u201d 16-6-1966. Huge success of George Manesis\u2019 Recital\u2026even if he is a Mediterranean type, he knows how to bridle his musical passion and present it with an exterior calm entirely Northern which never departs from a solemnity completely faithful to the composers he interprets.<\/span><\/p>\n

Vienna \u201cKurier\u201d, January 1962\u2026he succeeded in being dominated and appreciated completely\u2026Based on healthy harmony and mature technique, he majestically structured Beethoven\u2019s 100th with a masculine lament of pain and a broad sculptured fugue.<\/span><\/p>\n

Monte Carlo \u201cNice Matin\u201d, 14-6-1958\u2026Powerful success by George Manesis\u2026He possesses all the qualities which characterize consummate great talent, great sensitivity, deep musicality and remarkable technique.<\/span><\/p>\n

Zurich \u201cTagesanzeiger\u201d. February 1962\u2026The gifted artist George Manesis created a splendid impression\u2026what ribystm vugiriys and ardent playing. The introductions to his workds had such force that they captivated you.<\/span><\/p>\n

Paris 18\/3\/1955 \u201cTelevision Aimee de Cardevaque\u201d\u2026A great talent with amazing self-discipline and a musicality of rare depth.<\/span><\/p>\n

Athens \u201cIndependent Press\u201d April 1962\u2026He is the poet of the piano. He creates atmosphere. He illuminates the minutest details of the melodies and presents them in relief. What rare self-discipline\u2026he never forgets for an instant that he is a musician.<\/span><\/p>\n

New York \u201cNew York Herald\u201d, February 1969\u2026a beautiful sound\u2026a dignified and sincere interpretation with moments of infinite beauty. Priscilla Witter.<\/span><\/p>\n

Strasbourg \u201cDernieres Nouvelles\u201d, 1966. A great pianist\u2026it was incredible how with only his left hand he managed (in the Chaconne Bach-Brahms) to create the impression of a whole orchestra. A night which those who experienced it will discuss and remember for many years.<\/span><\/p>\n

Paris\u201d L\u2019 Entre Acte\u201d, March 1969\u2026A great artist with very rare gifts\u2026A wonderful night\u2026confident technique with merverous clarity. He alternates verve with refinement and tenderness. Nicole Claude.<\/span><\/p>\n

Schaffhausen 27-10-1966 \u201cSchaffhausen Nachrichten\u201d\u2026a truly exceptionally gifted pianist\u2026with a totally remarkable artistic strength and incredible powers of concentration and imagination\u2026we are still completely under the spell of this rare creative force.<\/span><\/p>\n

Munich, December 1951 \u201cProf. Dr. Knappe Dean of the higher State School of Music, Munich\u201d\u2026The case of George Manesis is unusual and fascinating, mainly for his exceptional sound.<\/span><\/p>\n

Lausanne \u201cFeuille D\u2019Avis\u201d, October 1966\u2026What a powerful, sumptuous revival\u2026this was music drawn from a very real inner nead\u2026A singular impression\u2026the combination of the most difficult multi-scaled and multi-tempo scores in a magnificent cohesion\u2026it was a great delight (for the VI volume of Bela Bartok\u2019s \u201cMICROCOSMOS\u201d).<\/span><\/p>\n

Athens \u201cEthnikos Kirix\u201d, April 1962\u2026I am still under the magic of Manesis\u2019 sound, that wonderful sound which exudes creativity and color. Manesis devotes his whole self to the performance\u2026but always with incomparable refinement and indescribable spirituality.<\/span><\/p>\n

London, October 1962. Sir Yehudi Menuhin: \u201cGeorge Manesis is an exceptional pianist and serious musician\u201d.<\/span><\/p>\n

Professionally related community activities<\/span><\/p>\n

 <\/p>\n

1990 at the city of Porto Heli; Cultural Anthropology lectures, classes, seminars, etc. within the Porto Heli International Festival of Art and Culture. Participation of the Porto Heli Festival to the International Choir Meetings of Hermioni, Greece.<\/span>[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” gap=”35″ full_height=”yes” css=”.vc_custom_1564310182978{background-image: url(https:\/\/phifestival.com\/wp-content\/uploads\/2019\/07\/Scan20215.jpg?id=5861) !important;}”][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”5\/6″ css=”.vc_custom_1564498316717{padding-top: 0px !important;}”][vc_custom_heading text=”Yorgos Manessis” font_container=”tag:h2|text_align:left|color:%23dd3333″][vc_empty_space][vc_column_text]Pianist and piano pedagogue Yorgos Manessis was born on 26 May 1931 in Piraeus, Greece. While still a new-born, his parents, and especially his mother Ioanna Yapapa (a pianist and pupil of Emil von Sauer who had also studied Emile Dalcroze\u2019s method at his school in Switzerland) decided […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6294","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/phifestival.com\/en\/wp-json\/wp\/v2\/pages\/6294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/phifestival.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/phifestival.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/phifestival.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/phifestival.com\/en\/wp-json\/wp\/v2\/comments?post=6294"}],"version-history":[{"count":1,"href":"https:\/\/phifestival.com\/en\/wp-json\/wp\/v2\/pages\/6294\/revisions"}],"predecessor-version":[{"id":8351,"href":"https:\/\/phifestival.com\/en\/wp-json\/wp\/v2\/pages\/6294\/revisions\/8351"}],"wp:attachment":[{"href":"https:\/\/phifestival.com\/en\/wp-json\/wp\/v2\/media?parent=6294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}